Fifth about The Seventh

Summertime (1955)

Summertime: while the story doesn’t pick up, this film resembles a travelogue of Venice more than anything else. The upshot is that the city looks lovelier than ever, colorful and alive. However, when the characters are introduced and the situation set, the cast shines as one would expect. Katherine Hepburn is great and heartbreaking, playing a bit against type (but she could play it all, and well). David Lean chose to let many scenes play themselves, without cuts, giving enough air for the cast to work; while not intricate shots, they still are a sight to behold. The story is simple, but touching and effective.

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