biopic / historic | Fifth about The Seventh

BlacKkKlansman

BlacKkKlansman: Spike Lee makes a characteristically

Outlaw King: every so often, a film telling a story of fight against tyranny is indeed staying close to

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Bohemian Rhapsody: it may well be that the only thing more extraordinary than Queen’s music is

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22 July: Paul Greengrass seems to be aware that as important as a terrorist attack itself are

Apollo 13: it’s a good story that Ron Howard has in his hands, and its telling is

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First Man: superbly crafted, Damien Chazelle’s biopic is quiet and methodical like the

Adrift: Baltasar Kormákur’s film plays well its ace, but the story is neither

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The 15:17 to Paris: if the valour of the deeds portrayed is undeniable, Clint Eastwood’s

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Marshall: the historical relevance of Thurgood Marshall is undeniable, as is

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