The Breaking Point (1950)
by Felipe Rosa
The Breaking Point: Michael Curtiz may not have the usual aesthetics, but the
Categories: Film reviews • Tags: drama, noir
by Felipe Rosa
The Breaking Point: Michael Curtiz may not have the usual aesthetics, but the
Categories: Film reviews • Tags: drama, noir
by Felipe Rosa
Blade Runner 2049: one of the strengths of Denis Villeneuve’s sequel is how well it dialogues with
Categories: Film reviews • Tags: noir, sci fi
by Felipe Rosa
Panic in the Streets: this noir by Elia Kazan has a very solid story, and the added urgency is great;
Categories: Film reviews • Tags: noir
by Felipe Rosa
Odd Man Out: Carol Reed’s noir is nothing if not beautifully shot. Cinematographer Robert Krasker’s images are
Categories: Film reviews • Tags: crime, noir
by Felipe Rosa
Ride the Pink Horse: Robert Montgomery’s intriguing noir follows a somewhat beaten track story-wise, but does so in an
Categories: Film reviews • Tags: noir
by Felipe Rosa
The Set-Up: Robert Wise presents a solid, tight little film noir; the story is
Categories: Film reviews • Tags: drama, noir
by Felipe Rosa
Where the Sidewalk Ends: Otto Preminger creates a solid, if unspectacular, film;
Categories: Film reviews • Tags: crime, drama, noir
by Felipe Rosa
Out of the Past: Jacques Tourneur delivers a very solid noir; the story hits all the usual points with a lot of class.
Categories: Film reviews • Tags: noir
by Felipe Rosa
Laura: Otto Preminger spins a good, engaging yarn, an elegant mix of noir and romance. Much of the air of
Categories: Film reviews • Tags: noir, romance