Getúlio: in spite of the name, João Jardim’s film offers little insight into the main character, his motivations and actions; in fact, while there is a large gallery of characters, little reason is given to get connected to any of them. That, in addition to an uneven pace, makes this film somewhat monotonous. Acting is unimpressive at best; Tony Ramos, in particular, doesn’t have the acting chops or the physique du rôle to be convincing. Walter Carvalho’s restless camerawork is competent and matches the genre, but not the time period, resulting in a nuisance.