F1: The Movie: visually and in some aspects of world-building, Joseph Kosinski’s competent movie about Formula One is realistic. It is, of course, almost an official product placement, using many real-life pilots and team members, real tracks and cars for the action sequences. In some aspects, it is unrealistic, chiefly that an American pilot could be of any relevance (but that’s the expected soft power projection that comes with a studio, big-budget project) and that Max Verstappen was not caught cheating (but, as mentioned, this is a sanctioned project by F1, so nothing like this would ever be allowed to happen). This is a popcorn movie, and if one can turn off their brain (and, perhaps, cover their nose) to the idea of an American cowboy swooping in, ignore rules, and perhaps save the day, it can be entertaining. It, of course, helps that the old driver is played with enormous charm by Brad Pitt; Damson Idris plays quite well the rookie pilot who feels threatened by the other man’s arrival. The standout performer is Kerry Condon, who plays the team’s chief engineer; Javier Bardem is always a nice presence, too.

The film is technically quite well done, with director of photography Claudio Miranda capturing the action, and editors Stephen Mirrione and Patrick J. Smith creating several exciting action set pieces. Composer Hans Zimmer contributes a propulsive musical score.