Monsieur Aznavour: if Mehdi Idir and Grand Corps Malade’s account of Charles Aznavour’s life and career feels almost hagiographic, both the trajectory and the music of the artist are enough to hold one’s interest. Born in France into a struggling Armenian family, the film portrays him as ambitious, as well as a talented lyricist and singer, despite his appearance and hoarse voice; it is, sadly, a simplistic view of the man. Tahar Rahim hams a bit, particularly when playing with Aznavour’s public face, but he generally emulates his gestures and posture. The rest of the cast is efficient but generally unimpressive. The work of both production designer Stéphane Rozenbaum and costume designer Isabelle Mathieu is solid. Cinematographer Brecht Goyvaerts moves the camera exceptionally well and creates, alongside editors Laure Gardette and Ludovic Foucher, moments of exceptional visual storytelling. And then, of course, there is the music: most of his greatest hits make an appearance, reason enough for fans to watch.