Adrift (2018)
by Felipe Rosa
Adrift: Baltasar Kormákur’s film plays well its ace, but the story is neither Advertisements
Categories: Film reviews • Tags: biopic, drama
Tag: biopic
The 15:17 to Paris
by Felipe Rosa
The 15:17 to Paris: if the valour of the deeds portrayed is undeniable, Clint Eastwood’s
Categories: Film reviews • Tags: biopic, thriller
Marshall
by Felipe Rosa
Marshall: the historical relevance of Thurgood Marshall is undeniable, as is
Categories: Film reviews • Tags: biopic, drama
Molly’s Game
by Felipe Rosa
Molly’s Game: Aaron Sorkin, the director, smartly stays out of the way of
Categories: Film reviews • Tags: biopic, drama
I, Tonya
by Felipe Rosa
I, Tonya: Craig Gillespie acknowledges the absurd, farcical nature of the story
Categories: Film reviews • Tags: biopic, comedy, drama
All the Money in the World
by Felipe Rosa
All the Money in the World: Ridley Scott’s film is divided in two halves that
Categories: Film reviews • Tags: biopic, thriller
The Disaster Artist
by Felipe Rosa
The Disaster Artist: James Franco’s film is, in a way, a celebration of a dreamer, one that
Categories: Film reviews • Tags: biopic, comedy, drama
The Post
by Felipe Rosa
The Post: Steven Spielberg achieves quite a lot: a tightly paced and efficient procedural, a fine history lesson, and a
Categories: Film reviews • Tags: biopic, drama
Darkest Hour (2017)
by Felipe Rosa
Darkest Hour: Joe Wright chronicles one of the defining moments on the XXth Century with
Categories: Film reviews • Tags: biopic, drama
